Jolene’s prodigious feminine assets could also prove worrisome to a gay man whose bisexual lover’s eye is prone to wander. Parton told NPR that women are “always threatened by other women, period.” The pain is the same, but the situation in much less straightforward, thanks to blurrier gender lines. In the slow ass version, it’s plaintive and sad. In the original version, the irresistible chorus wherein the soon-to-be-spurned party invokes Jolene’s name again and again is plaintive and fierce. Wouldn’t it be wild if she grew up to be a bank teller? Yes, the kid had red hair and green eyes. Parton was so taken with the child, and her unusual name, that she resolved to write a song about her. Jolene was a pretty little girl who attended an early Parton concert. I don’t believe we’ve got that kind of money.’ So it’s really an innocent song all around, but sounds like a dreadful one.įor the record, the teller’s name wasn’t Jolene. It was kinda like a running joke between us - when I was saying, ‘Hell, you’re spending a lot of time at the bank. In an interview with NPR, Parton recalled a red-haired bank teller who developed a big crush on her husband when she was a young bride:Īnd he just loved going to the bank because she paid him so much attention. The song is somewhat autobiographical, though the situation was nowhere near as dire as listeners might assume. Instead, she appeals to Jolene’s sense of mercy: Apparently she also knows better than to raise the subject with him.
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